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The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (0)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (1)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (2)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (3)
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The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (5)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (6)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (7)

The Subversive Stitch

Parker, Rozsika

The Women's Press paperback, 1986 reprint.

18.00 €

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Why it's in the Cabin

Challenging centuries of art historical dismissal, Parker meticulously traces the historical trajectory of embroidery, arguing that it was erroneously relegated to the status of mere "craft" or "women's work" precisely because it was associated with femininity. Through detailed analysis, she demonstrates how embroidery, far from being a passive domestic activity, served as a complex medium through which women expressed creativity, asserted identity, and even subtly subverted patriarchal norms, thus making it a crucial site for understanding female experience and resistance within art history. The Women’s Press is historical feminist publishing company, founded in the 70s in London. It had a crucial role in disseminating not only feminist political thought, but in highlighting contemporary women fiction writers from around the globe.

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The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (0)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (1)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (2)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (3)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (4)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (5)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (6)
The Subversive Stitch - Rozsika Parker, The Women's Press 1986 (7)

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