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A Caribbean Mistery - Agatha Christie, Crime Club 1964 (0)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (1)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (2)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (3)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (4)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (5)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (6)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (7)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (8)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (9)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (10)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (11)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (12)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (13)

A Caribbean Mistery

Christie, Agatha

First edition, interesting association. Crime Club, London, 1964. Hardcover. Original red binding modified with a gild stamp of Ladycross, a catholic school in Seaford. Some bumping on spine ends. Dust jacket is price-clipped, with a 1.5cm chip on top edge. Tanned all around, most noticeably at spine.This first edition of A Caribbean Mystery was presented as a prize to Edward Fitzgerald, the British barrister specialised in Criminal, Public, and Human Rights Law, who has dedicated his career to fight against the death penalty. This book was the prize that would have been presented to him while studying at the preparatory school for his "open scholarship", as indicated in a bookplate on the pastedown, likely around the time of publication of book, when he would have been about 12. In an interesting connection to Christie's genre, Fitzgerald is married to Rebecca Fraser, daughter of detective fiction writer Antonia Fraser.

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Why it's in the Cabin

Another magnificent Miss Marple, where keys are abundant, surprising identities revealed and the reader is left speechless. Another great detective story by the greatest crime novelist of all time

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A Caribbean Mistery - Agatha Christie, Crime Club 1964 (0)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (1)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (2)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (3)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (4)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (5)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (6)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (7)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (8)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (9)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (10)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (11)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (12)
A Caribbean Mistery - Agatha Christie, Crime Club 1964 (13)

Author

Agatha Christie

She was a rule-breaker, and became a megahit by virtue of her difference, and through playing with the reader. Christie defined modern detective fiction by introducing clues, closed settings, and surprise endings, creating an immersive experience that required the user to actively participate to reap the benefits. Who dunnit had never been more fun... She completely changed the plot structure by repeatedly shaking the rules of storytelling. She was radical, creating a main characters like Miss Marple, an elderly woman defying the standards of her age and Christie’s time; smart, observant, incredibly socially intelligent and witty. Christie tuned into what made her different, and it worked. When crime novels focused more on morality or violence, she chose to bet on the reader's intelligence and analytical qualities. Her work was filled with women characters that were complex, which was hard to find in mainstream literature; women capable of violence, morally ambiguous, and filled with dark motives. Reading Agatha Christie feels like solving a puzzle. It’s rewarding no matter the outcome. If Woolf taught us how to think, Christie taught us to enjoy the process of reading and thinking.

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